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Gate 27, farklı pratiklerin araştırma ve üretim süreçlerini desteklemek ve disiplinlerarası etkileşime zemin yaratmak amacıyla 2019’da kurulmuş bir uluslararası konuk sanatçı programıdır.

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Prof. Dr. Ahu Antmen

Sabancı Üniversitesi Öğretim Üyesi

Ahu Antmen, Sabancı Üniversitesi Sanat ve Sosyal Bilimler Fakültesi’nde modern ve çağdaş sanat profesörüdür. Araştırmaları, 20. yüzyıl Türk sanatında modernite, kimlik ve cinsiyet konularına dayanmaktadır. Öğretmenliğinin yanı sıra Cumhuriyet ve Radikal gazetelerinde sanat eleştirmeni olarak çalıştı.

Küreselleşen İzlenimcilik: Alım, Çeviri ve Ulusötecilik (Yale Üniversitesi Basını, 2020) “20. Yüzyıl Batı Sanatında Akımlar”, “Kimlikli Bedenler-Sanat, Kimlik, Cinsiyet; “Zamanların Belleği: Ali Teoman Germaner”, “İçerdeki Yabancı: Hale Tenger” ve editörlüğünü yaptığı “Sanat/Cinsiyet-Sanat Tarihi” ve “Feminist Eleştiri” kitaplarının yanı sıra “Curatorial Challenges-Interdisciplinary Perspectives on Contemporary Curating” (2019, Routledge), “Artists in Their Time” (Istanbul Modern, 2015), “Unleashed-Contemporary Art from Turkey” (2010, Thames and Hudson) ve “Beyond Imagined Uniqueness-Nationalisms in Contemporary Perspective” (2010, Cambridge Scholars Publishing) gibi yayınlara katkıda bulundu. 

Küratörlük çalışmaları arasında “Nur Koçak-Mutluluk Resimlerimiz” (2019, SALT), “Üryan, Çıplak, Nü: Türk Resminde Bir Modernleşme Öyküsü” (2015, Pera Müzesi), “İkinci Göz: Türkiye’den Kadın Fotoğrafçılar” (2013, Sismanoglio Megaro), “Bir Ülke Değişirken-Tanzimattan Cumhuriyete Türk Resmi” (2012, S.Ü. Sakıp Sabancı Müzesi), “Joseph Beuys ve Öğrencileri” (2009, S.Ü. Sakıp Sabancı Müzesi) sergileri bulunmaktadır.

TR

Ahu Antmen-Profil.jpg

Ahu Antmen is professor of modern and contemporary art at Sabancı University Faculty of Arts and Social Sciences in Istanbul, Turkey. Her research is based on issues of modernity, identity and gender in 20th century Turkish art. Besides her teaching, she has worked as art critic for Turkish daily newspapers Cumhuriyet and Radikal.

She has contributed to various publications,  including Globalizing Impressionism: Reception, Translation, and Transnationalism (Yale University Press, 2020), Curatorial Challenges-Interdisciplinary Perspectives on Contemporary Curating (Routledge, 2019), Artists in their Time (2015), Unleashed-Contemporary Art from Turkey (2010, Thames and Hudson) and Beyond Imagined Uniqueness-Nationalisms in Contemporary Perspective (Cambridge Scholars Publishing, 2010). Her curatorial work includes Nur Koçak-Our Blissful Souveniers at Salt, Istanbul (2019), Bare, Naked, Nude-A Story of Modernity in Turkish Painting at the Pera Museum (2015), Second Eye-Women Photographers from Turkey at Sismanoglio Megaro (2013), Turkish Painting from the Ottoman Reform Era to the Republic(2012) and “Joseph Beuys and His Students” (2009, Sabancı Museum).

Advisory Board

Prof. Dr. Ahu Antmen

Faculty Member at Sabancı University

Ahu Antmen is professor of modern and contemporary art at Sabancı University Faculty of Arts and Social Sciences in Istanbul, Turkey. Her research is based on issues of modernity, identity and gender in 20th century Turkish art. Besides her teaching, she has worked as art critic for Turkish daily newspapers Cumhuriyet and Radikal.

She has contributed to various publications,  including Globalizing Impressionism: Reception, Translation, and Transnationalism (Yale University Press, 2020), Curatorial Challenges-Interdisciplinary Perspectives on Contemporary Curating (Routledge, 2019), Artists in their Time (2015), Unleashed-Contemporary Art from Turkey (2010, Thames and Hudson) and Beyond Imagined Uniqueness-Nationalisms in Contemporary Perspective (Cambridge Scholars Publishing, 2010). Her curatorial work includes Nur Koçak-Our Blissful Souveniers at Salt, Istanbul (2019), Bare, Naked, Nude-A Story of Modernity in Turkish Painting at the Pera Museum (2015), Second Eye-Women Photographers from Turkey at Sismanoglio Megaro (2013), Turkish Painting from the Ottoman Reform Era to the Republic(2012) and “Joseph Beuys and His Students” (2009, Sabancı Museum).

 

TR

Ahu Antmen-Profil.jpg

Ahu Antmen is professor of modern and contemporary art at Sabancı University Faculty of Arts and Social Sciences in Istanbul, Turkey. Her research is based on issues of modernity, identity and gender in 20th century Turkish art. Besides her teaching, she has worked as art critic for Turkish daily newspapers Cumhuriyet and Radikal.

She has contributed to various publications,  including Globalizing Impressionism: Reception, Translation, and Transnationalism (Yale University Press, 2020), Curatorial Challenges-Interdisciplinary Perspectives on Contemporary Curating (Routledge, 2019), Artists in their Time (2015), Unleashed-Contemporary Art from Turkey (2010, Thames and Hudson) and Beyond Imagined Uniqueness-Nationalisms in Contemporary Perspective (Cambridge Scholars Publishing, 2010). Her curatorial work includes Nur Koçak-Our Blissful Souveniers at Salt, Istanbul (2019), Bare, Naked, Nude-A Story of Modernity in Turkish Painting at the Pera Museum (2015), Second Eye-Women Photographers from Turkey at Sismanoglio Megaro (2013), Turkish Painting from the Ottoman Reform Era to the Republic(2012) and “Joseph Beuys and His Students” (2009, Sabancı Museum).

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